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READ AN EXCERPT FROM "THE WILD POLTERGEIST OF

NEW HAVEN" from FOOTSTEPS IN THE ATTIC.


Psychic circus

In August 2005, what appears to be a black-robed figure

crosses a cellar in a 1793 farmhouse in Torrington, the site

of high paranormal energy and dramatic time slips. Flesh

tones of the face are even evident. It was taken from a

videotape by Paul Eno's son Benjamin, who was helping

his dad on the case.

 

Alas, further analysis revealed the end of an oil tank and

a patch on the wall! With the light just right and Ben

moving the camera in just the right way, the "figure" had

appeared to be moving across the open space. It wasn't

deliberate, but it just goes to show how careful researchers

must be to remain honest and to help bring credibility to

this field of research.

In a more promising photo, below, a dark orb appears

at the side of the house, in several rooms of which Paul

and Ben both felt dizziness, heaviness and other signs Paul

interprets as symptoms of proximity to the electromagnetically charged "boundaries" or "membranes" of parallel worlds.

Note in the window at bottom right (and inset) what appears

to be the figure of a woman and, by her right arm, perhaps

a child. Paul suspected that curtains in the window were

the cause, but photo analysis has initially indicated that

heavy drapes would have had to be present, and they

were not. Apparently, the window was clear when the

photo was taken, and no such people were in the house.

Below, in what Paul interprets as a dramatic example of

a conjunction of parallel worlds being caught by the camera

inside the house, different rooms seem to occupy the

same space. Note that the wooden bureau seems to "end"

at one point, and the kitchen appliance can be seen right

through it.


The faces over the grave

In a fascinating illustration of the fractal nature of

quantum reality, the face of the same man,

Gurdon Cady (PICTURE INSET), whose grave this

happens to be, is seen twice (once in profile) in this

photo taken in Central Village in 1970 by

Harry A. Chase, the late Windham County historian

who figured in the "Village of Voices" case recounted

in "Faces at the Window." Mr. Cady was a much-loved

square-dance fiddler in eastern Connecticut and

Rhode Island in the late 19th century.


The haunted herb farm

A classic "orb" appears near the electrical wires near

the top of this photo taken at Ashwillet Herbs near

North Stonington. The farm is a place of high energy,

with numerous manifestations, mostly positive but all

interesting. 


Pomfret's "Village of Voices"

Since at least the time of the American Revolution, the

Welsh-emigre settlement known as "Bara Hack" has been

the site of paranormal goings on. Abandoned and

overgrown since the last century, Bara-Hack became known

locally as the "Village of Voices" because one could clearly

hear the sounds of another era at various times of the day

or night. In this photo, Paul Eno's 1971 investigation captured

what appears to be the figure of a reclining infant on a

tree limb. Years later, Paul was amazed to find an early

19th century reference to just such an apparition at this site.


The poltergeist that affected a whole neighborhood

Check out the spectral face (inside the box) that appeared

in the boarded-up window of this shack during the

Bristol, Conn., poltergeist haunting of 1975. Paul says that

the window was boarded up and had no glass. The entity

affected at least four nearby homes. Workers tearing down

this shack refused to continue when the foreman felt

cold hands around his neck. Paul notes that this was the

case in which he first began to suspect that paranormal

phenomena can affect not just a single home, but a large

part of the surrounding area.

A transparent entity seems to be forming at left in the yard

of this troubled home in Bristol during Paul's 1975 case.

This is the house next to the shed pictured above.

 

 

Read about many of these cases in Paul Eno's FACES AT THE WINDOW 

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FOOTSTEPS IN THE ATTIC

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TURNING HOME:

GOD, GHOSTS AND HUMAN DESTINY

 

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